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Cannibalism has been repeatedly recorded throughout China’s well-documented history. The sinologist Bengt Pettersson found references to more than three hundred different episodes of cannibalism in the Official Dynastic Histories alone. Most episodes occurred in famine or war or were motivated by vengeance or medical reasons.More than half of the episodes recorded in the Official Histories Many locals were convinced it was the result of sorcery. The disease primarily hit adult women and children younger than 8 years old. In some villages, there were almost no young women left. At its peak in the 1950s and ’60s, the kuru epidemic nearly decimated the Indigenous Fore people of Papua New Guinea. Until the 1930s, no outsiders knew that the Fore people of Papua New Guinea even existed. Sleeping with Cannibals. Our intrepid reporter gets up close and personal with New Guinea natives who say they still eat their fellow tribesmen The kuru epidemic almost wiped out the Indigenous Fore people of Papua New Guinea in the 1950s and 1960s. There were two-percent deaths every year in the 1950s because of kuru. Ritual cannibalism was The oldest surviving written account of Popol Vuh (ms c. 1701 by Francisco Ximénez, O.P.). Popol Vuh (also Popul Vuh or Pop Vuj) [1] [2] is a text recounting the mythology and history of the Kʼicheʼ people of Guatemala, one of the Maya peoples who also inhabit the Mexican states of Chiapas, Campeche, Yucatan and Quintana Roo, as well as areas of Belize, Honduras and El Salvador. Kuru is a rare and fatal brain disorder that belongs to a class of infectious diseases called transmissible spongiform encephalopathies (TSEs), also known as prion diseases. Jean-Bedel Bokassa took power in a military coup in 1966, and then proclaimed himself Emperor of the Central Africa ten years later. The ceremony nearly bankrupted the impoverished country (his Koyaanisqatsi runs for 86 minutes and comprises a montage of visuals accompanied by a minimal music score, without narration or dialogue. It opens with an ancient cave painting, followed by a close-up of a rocket launch, while a deep bass voice chants the film’s title. The images dissolve into a sequence of landscapes with geological formations and dunes in the deserts of the American Southwest. Ancient Korean folklore tells of the practice of “Inju”: a ritualistic human sacrifice that saw unfortunate victims buried under the foundations of buildings, to ensure that the structures